Tag Archives: children

I Wish (Kiseki) | review

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Hirokazu Kore-eda’s film I Wish (Kiseki, literally ‘miracle’) is an endearing portrait of two young brothers and their friends and family, and the desires that drive them all.

Twelve-year-old Koichi (Koki Maeda) lives with his mother and her parents in suburban Kagoshima, while his younger brother Ryunosuke (Oshiro Maeda) lives with their father, a struggling rock musician, several hours away in urban Fukuoka. Koichi is a serious young man who worries about reuniting his family, while his younger brother Ryunosuke is a freer spirit who devotes his energy towards making the best of his new situation rather than trying to restore things.

When Koichi hears a rumour that the new bullet train connecting their two towns can make miracles happen when two of them pass each other at a certain point, he is convinced that this mystical energy is exactly what he needs to put his family back together. With the help of their close friends, both brothers prepare to reunite for an adventure. I Wish captures the tenderness of the brothers’ daily lives as they and their friends innocently reach out for help with confronting the changes the world throws at them.

I Wish is a delight to watch because it showcases superb acting by its ensemble cast – all of the characters onscreen seem so natural and immensely relatable. It’s easy to see what makes each character tick, which is rare to see onscreen in adults, let alone pre-pubescent children. I’d bet that few of us remember the unique mix of naiveté and reflection, curiosity and criticism that we had once, not to mention the boundless, restless energy; in the film, the kids seem to be running all the time! It’s enchanting to be reminded of that time of our lives when our curiosities and passions thrived, unsullied by cynicism and practical limitations, the world seemed big but not scary and our friends were everything.

The cast is led by two real-life brothers, Koki and Oshiro Maeda, a comedy duo that goes by the name MaedaMaeda. The director re-wrote the script after meeting the Maeda brothers, blown away by their confidence, their comfort with improvising and their sense of fun. The other children who play their friends had mostly not acted before, but were cast for their unique personalities. All seven children are engaging because they are just starting to form their adult personalities, but are at slightly different stages of early maturity. Megumi (Kayara Uchida) is serious about becoming an actress; Makoto (Seinosuke Nagayoshi) wants to be a baseball player and loves his dog Marble; Tasuku (Ryoga Hayashi) fancies the school librarian; Kanna (Kanna Hashimoto) likes drawing; and poor Rento (Rento Isobe) loves her food but wants to be better at running.

The children were not given any scripts, and their performances are successfully unforced. The director’s tactic was to tell them their lines on the day of filming, as he did when working with children for Nobody Knows in 2004. Koki was the elder statesmen of the children, aware of what was needed and guided the others. Oshiro’s guileless charm has a feminine appeal, so it suits his character to be close to three girls while his older brother hangs out with two other boys. The brothers’ contrasting personalities – one solemn, the other lighthearted – provides enough dramatic tension to propel the story forward.

While the narrative perspective of I Wish is slanted heavily towards the children, this is not a Japanese Beasts of the Southern Wild – there’s no precocious voiceovers and their world is real and un-magical. The parents, grandparents, teachers and even strangers who watch over the kids in this communal society are sensitively portrayed; all have their own backstories, their own flaws and preoccupations, and support the kids from the sidelines, not as dictators. We see the brothers’ dad hanging out with his band, their mom meeting up with old classmates for karaoke, their granddad conferring with his buddies to try and revive his old career making sweets.

By allowing screen time to show these small details, the film gives us fellow grown-ups the means to fully understand the world these kids inhabit. Kore-eda says of the adult characters in his film: “All the adults that appear in I Wish are all adults I want to be. I want to be an adult that casually waits for his children to come back from their adventures.” It could be argued that the adults in the film trust the kids to an extent that could seem unrealistic and impractical; but it is easy to justify and sympathise with their benign faith in them as a natural extension of the kids’ infectious exuberance and optimism.

It’s a truly great film about pre-teen life: honest and unsentimental, but also gently humorous. I first saw I Wish at the 2011 London Film Festival and felt grateful to have caught it because I doubted whether it would get UK distribution – but now it has! So go see it, and reacquaint yourself with your inner child.

I Wish opens in selected UK cinemas on 8 February.

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The First Movie

Mark Cousins, the man behind the exceptional recent The Story of Film series, channels his passion for film into this charming, unusual documentary that boldly gives voice to the perspectives of Kurdish children in Goptapa, Iraq.

In 1988, Saddam Hussein’s Ba’athist regime gassed this ethnic minority village during the genocidal campaign known as the Anfal, killing 14% of its population. Because Cousins grew up in Northern Ireland during the Troubles, he strongly relates to how a child experiences the traumas of war. When he was young, he says he was ‘tenderised’ by the surrounding strife, but was able to take refuge in his homeland’s beauty and in the imagined worlds of films. The children of Goptapa are also haunted by conflict yet surrounded by a beautiful land – but they have no access to films or the escape they provide. Cousins believes that his personal experience shows how the daily threats of war could be kept at bay by nourishing his imagination; this spurs his quest is to see if film can work the same magic for Goptapa’s children as it did for him.

Cousins’ experiment of granting these children access to film as both consumers and producers envelops the audience in a dreamworld. He introduces Goptapa to imagination-sparking films, then distributes Flip cameras to the children and screens their footage as a parting gift. A carnival-like atmosphere pervades the screenings, reminding us how movies can be mystical and bewitching. The kids’ films are unreal, rare insights into their values and experiences. Their footage is appreciably more raw, more honest than what we’d see from Western journalists. The older kids capture heart-breaking interviews of the adults of Goptapa, in which the interviewees speak quickly about their personal tragedies, as if it would hurt less that way. The younger kids focus more on fun, filming their friends and spinning stories, reminding us that they’re not so different from other kids.

However, even in the young ones’ films, we see a quiet despair. In young Mohammed’s film, a boy plays with mud because he has nothing else to play with; he ‘gives his wishes to the mud’. When asked who he loves, Mohammed says ‘those who protect this village’ – not his family or friends. Through the medium of film, we empathise with this wounded community, crippled by fear of persecution. By the end, Cousins modifies his assertion that film can make war feel less real – these children see film not as an escape but as a tool to help them fight toward better lives.

Cousins’ unique vision is a refreshingly thoughtful take on life in a war-scarred village; he skillfully juxtaposes Goptapa’s beautiful panoramas with its tragic history, deliberately steering well clear of the look and tone of an NGO advert. His esoteric visual style combines pastoral views with whimsical shots of wind, balloons and bubbles so that even in an ancient land fraught with conflict, we think of what it’s like to be a child and innocently imagine a world where anything’s possible. As such, The First Movie is a striking, original documentary, best watched when you crave an escape.

The First Movie is available on DVD now, released by Dogwoof.

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