Tag Archives: apocalypse

This Is The End | review

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Reviewed by Ed Wall

Loosely based on their 2007 short Jay and Seth vs. the Apocalypse, comedy-writing team Seth Rogen and Evan Goldberg have reimagined the End of Days from the perspective of a group of friends trapped in James Franco’s Hollywood home. As the Apocalypse rages outside, the group (Rogen, Franco, Jay Baruchel, Craig Robinson, Jonah Hill and Danny McBride) must come to terms with themselves, their friendships and the total, unequivocal destruction of everything ever. Cue the dick jokes.

The cast is essentially a reunion of stars from earlier Rogen/Goldberg films, all friends in real life, and fully prepared to take the piss out of themselves by playing up to the common (negative) public opinion of A-list celebrities. They clearly had a lot of fun making this, which translates best in extended scenes of dialogue rather than the later CGI horror/action sequences. The film’s strengths naturally lie in the sharpness with which the character relationships are portrayed. Male friendship and bonding rituals have always been a big focus in the pair’s writing, and they’re particularly astute at revealing the nuances in male egos that make their characters feel solidly human. In the wrong hands This Is The End might have slipped into lowest common denominator gross-out territory, but Rogen and Goldberg provide customary vital touches of warmth and sadness. Like their other efforts it’s also genuinely funny, their expert way with a cutting put-down shining especially brightly here.

Where the film falls down slightly is in the concept, which is initially interesting, but ultimately tiring. There’s the gnawing impression that Rogen and Goldberg weren’t wholly clear where to take the idea, and that the clearly sizeable budget allowed for too much. The first disaster sequences are actually pretty tense, the shocks real. But herein lies the problem; if you’re going to start a film with tension it becomes obvious when the tension is lost. Much of the plot outside of the house in the later stages is half-baked – as though everything around the original scenario has been more or less tacked on. Rogen and Goldberg don’t seem interested in developing the setup in unexpected ways and thus come to rely heavily on star cameos to carry through the lulls. Besides that, the film slips into self-indulgence fairly easily. What you end up with is a movie that looks at first like a blockbuster, feels for a good while like a joke between friends, and then sputters around in the final third like a balloon that’s not been tied at the end, finishing (probably like the earth itself will) with a whimper, not a bang.

At the end of the days though (honk!) this is an enjoyable and very funny addition to the Superbad/Pineapple Express collection of US comedies with a bit more bite; perfect fodder, in our globally warmed times, for the excruciating and pathetic death-whimper of the British summer.

This Is The End is in cinemas from Friday. Contributor Ed Wall can be followed on Twitter @edward1wall

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Seeking a Friend for the End of the World | review

You could be forgiven for thinking that a film about how two people spend their last three weeks before an asteroid collides with Earth would be a sci-fi drama. But despite the high-concept, Seeking a Friend for the End of the World is nothing more or less than a delightful romcom. Rammed with wit and warmth, it delivers heartily on the rom (the apocalypse acting as a metaphysical Cilla Black) and com (the apocalypse is a rich source of fatalistic humour) fronts.

This is not a sober Melancholia-style cataclysm, it’s more like ‘Naked Gun doesn’t do apocalypses but if it did….’ All is good-natured chaos, from the end-of-days countdown on the nightly news to the public posters offering the opportunity to fuck a virgin. Plodding round this circus is Dodge (Steve Carell) who’s in no mood to seize the moment as his wife has just literally run off. While his middle-aged friends throw Eyes Wide Shut-for-embarrassing-dad-style parties where they take acid and tear up the rulebook on fidelity, he stoically continues to go into work. The only revelation that takes root as his certain death grows closer is that he should seek out his high-school sweetheart, the lost love of his life.

So far, so downbeat, but then Keira Knightley appears in full Clementine from Eternal Sunshine…, Manic Pixie Dream Girl mode. Her character Penny is a record-loving, impulsive, hypersomniac and the pair end up involved in a buddy-movie road trip as they try to get to the people that matter the most before it’s too late. It’s no surprise that Carell, whose eyes are brown pools of kindness mingled with weariness, holds his own as a downtrodden wit with a big heart (See Little Miss Sunshine and last year’s Crazy Stupid Love for previous form). The revelation is Knightley who, although not quite lost in her character, has an infectious energy that sets the pace. Both she and the film possess the good-natured gait of a puppy that’s never been kicked and they race towards the finishing line with giddy abandon.

While the film is about the blossoming relationship between this oddball duo, Seeking a Friend for the End of the World gives generous time to the supporting cast and their subplots. Whether it’s the emotional truck driver for whom three weeks is still an eternity to wait to bid goodbye to the cruel world or Patton Oswalt’s opportunistic sleaze-ball bowled over with excitement at abounding sexual openness, these colourful characters provide regular blasts of entertainment. A climate of hysteria rises and falls and our leads’ ability to empathise with each other in these extreme circumstances makes us root for them.

Some developments feel unlikely but the logic of ‘this is the apocalypse’ sucks up and owns all bizarre swivels. Warmth pulses from every frame. Penny’s record love manifests in classic after classic. Wardrobe and colour palette are all gentle pastels and solid primaries. Liberally sprinkled are cameos so delightful and unexpected that your face will break out in smiles.

It’s amusing and a little odd that such a tragic concept is given such wholesome treatment (there’s a white picket fence knocking about) but once you see through the disguise of the subject to a solid and heartfelt romcom, all is well. This is a well-written, warm treat of a film about a pair whose unlikeliness is aspirational to anyone who wants to believe that love can grow against all odds.

Contributor Sophie Monks Kaufman can be followed on Twitter @Sopharsogood.