Tag Archives: 15-25

6th BFI Future Film Festival | Day 3


Sad to report, but we’re now in the last knockings of the third and final day of the 6th annual BFI Future Film Festival. I don’t have exact figures to hand, but judging by the crowds, buzz and word-of-mouth, I’d say that it’s been the busiest one to date.

The theme of today has been documentary filmmaking, and my first act was to introduce a screening of Alex Ramseyer-Bache and Daniel Lucchesi’s superb doc We Are Poets (see teaser trailer here). An appreciative crowd lapped up the film in screen NFT2, and kindly stuck around for my post-screening Q&A with Ramseyer-Bache. He discussed his multifaceted early approach to filmmaking, the origins of his interest in the story of We Are Poets, and the challenges posed by a tight budget and a relentless international schedule.

The final round of the day’s sessions have all gone in, and include a screening of Penny Woolcock’s brilliant documentary One Mile Away; a presentation of hit online show Becoming YouTube; and workshops on sound recording and interviewing techniques. They follow a day full of workshops and networking sessions.

I’d also like to give a shout out to Piccia Neri (who’s been behind all Permanent Plastic Helmet’s event poster art to date), the leader and architect of FFF Design Global, the design wing of the BFI’s Future Film Institute. Have a look at their work on their website.

We’ll leave you with Rob Savage’s ace festival trailer. Until next year…

6th BFI Future Film Festival | Day 2


It’s day 2 of the 6th annual BFI Future Film Festival, and the focus of today’s sessions and activities is animation.

The day kicked off with a host of events at 12pm, including a screening of Sam Fell’s cracking animation Paranorman (followed by a director Q&A); a talk by Nic Benns, Emmy award-winning design director and co-founder of title company MOMOCO; and a selection animated highlights from Random Acts, Channel 4’s late night three-minute film slot, commissioned by Lupus Films and curated by ace animator Chris Shepherd.

There’s a whole bunch of stuff still to come, including a programme of BAFTA animated shorts, ident, VFX, voiceover and sound masterclasses, networking tips, script sessions with Script Factory, and the Future Film Animation awards.

And me? I’m blogging from the foyer, and I’ll be here until 5pm to take questions and chat about all aspects of film journalism, from setting up and maintaining a blog, to trying to get your name on press lists so you can invited to preview screenings!

The final day of the festival is tomorrow, and focuses on Documentary filmmaking. It’s pretty much sold-out, but keep an eye on returns, and of course it’s free to come and chat to us, or FilmClub UK (the friendly folk who are sat next to me) in the foyer.

To sign-off, here’s a snap of the crowds gathering in the foyer, outside the BFI Reuben Library aka Future Film Festival HQ:


6th BFI Future Film Festival | Day 1


I’m live-blogging from the BFI Southbank today, where the first day of the 6th annual BFI Future Film Festival is taking place. The festival is targeted toward young film fans between the ages of 15 and 25, and features a range of in-depth masterclasses, hands-on workshops, screenings of the best new films by young, emerging filmmakers and inspirational Q&As. Much of what’s on offer has sold out, but do have a look at the website to see if tickets remain for anything. It’s a popular festival!

This year the festival has expanded, taking place across three days, each with a distinct theme. Today’s is fiction, tomorrow’s is animation, and Monday’s is all about documentary.

I’ve got a mixed role this year. Right now, I’m blogging from the foyer, in the middle of a pile of beanbags otherwise known as ‘Blogger’s Corner’. I’m here to offer advice and ideas to any young people who might be interested in setting up a blog, or setting out into a career of film journalism.


BFI Southbank

It’s incredibly laidback, and fairly close to the set-up I have at home in my other life as a freelancer. All that’s missing is the dressing gown (and the baked beans and toothpaste smeared down the front). I’m right next to Harry Harris of FilmClub UK, and you can talk to him about the film club services they offer to schools and young people countrywide.

Earlier I hosted an onstage interview with the very talented young director Rob Savage following a screening of his accomplished debut film Strings (which he made at the terrifyingly young age of 18). Also  present onstage was co-lead actress Hannah Wilder. The film went down a storm with the healthy crowd in NFT2, who asked some probing questions. Rob discussed such varied topics as his early immersion into life as a filmmaker, keeping to a very tight budget, and touring the film, while Hannah discussed her life as a young actress, and what it’s like to see yourself up on screen.

The day continues with a host of practical workshops, and right now, a screening of Saly El-Hoseini’s cracking drama My Brother The Devil upstairs in NFT3.

To sign off this blog post, I’ll leave you with the trailer for this year’s festival, directed by none other than the very talented Rob Savage: