Here is a sequence from Poliss, a new French crime drama about the child protection services, presented yesterday in competition at the Cannes Film Festival.
I’m pretty stoked about the film for a couple of reasons besides its realer-than-real trailer. Firstly, Maïwenn Le Besco (who usually goes by her first name only) is one the quirkiest film personalities in France. Formerly engaged to Luc Besson in her young and idle years (she’s in Leon: The Professional for a couple of seconds and plays the blue, bulbous-headed diva in The Fifth Element), she became a true polymath once he left her, writing and performing comedy stand-up, directing an auteurish film (the ferocious Le bal des actrices / The Actress’ Ball, a painfully honest autofiction on female thespians) and appearing in oddball B-movies, such as the homegrown lesbian slasher High Tension, by Alexandre “Pirahna 3D” Aja. Versatile, I’m telling you.
Secondly, the main part, Fred – a taciturn cop on whom a posh journalist (played by Maiwen) writes a profile piece – is performed by one of France’s most emblematic rappers, Joeystarr of NTM fame. Don’t laugh, France used to have good hip-hop, and he’s truly an icon, sort of the local Nas (speaking of which, they collaborated on a pretty awesome remix together). It’s a bit of an Ice-T move for him, as NTM (for Nique Ta Mere, “Fuck Your Mom”) were sued and fined in the 1990s for “inciting violence against the police”. But the man can really act; his turn in Maïwenn’s previous film Le bal des actrices earned him a nomination for the Best Newcomer Cesar. Moreover, he has a tremendous presence; an animalistic masculinity rivalled only by Tahar Rahim (A Prophet) in the country with 365 kind of cheeses.
I haven’t yet seen the film, but from what I can see on this teaser, Maïwenn, who’s neither trying to make Paris looks like New York nor delivering another Eurotrash action-thriller (yes Luc Besson, I’m looking at you again), may have got things right and the hype building around the film could well be worth it. We’ll see in a couple of months.
That clip (glamorously unglamourous responsible adults dealing with difficult social issues, docu-style camerawork) also reminds me of Laurent Cantet’s The Class (which was wikid). Looks good!
Indeed! Good point, very true in terms of style. Although The Class was truly a docu-fiction, using amateur actors and having the author of the memoir playing his own part in the film. In this instance, I can tell you all these actors (Maiwenn, Joeystarr but also people like Duvauchelle or Marina Fois who’s a comedian) are quite famous and “glamourous” in their own right on the regional scale, so it’s really a deliberate effort to make it look and feel like this.